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Structure in prose fiction is about how a narrative is organised: the order in which events are presented, the way time is handled, and the overall architecture of the text. At A-Level, you must be able to discuss structure as a deliberate choice that shapes meaning, not merely a container for content.
A chronological (or linear) narrative presents events in the order they happen, from beginning to end. This is the most conventional and intuitive structure.
Example: Jane Austen's Pride and Prejudice follows a broadly chronological structure, tracing Elizabeth Bennet's relationship with Darcy from their first meeting to their eventual marriage. The linear progression mirrors the development of Elizabeth's understanding — her journey from prejudice to self-knowledge.
A non-linear narrative disrupts chronological order, presenting events out of sequence. This can involve flashbacks, flash-forwards, fragmentation, or multiple timelines.
Key Definition: Non-linear narrative — a narrative structure in which events are presented out of chronological order, often using techniques such as flashback, fragmentation, or multiple timelines.
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