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This final lesson draws together the threads of the Post-1900 Love Poetry Anthology, identifying the major themes, formal strategies, and critical debates that connect the individual poems into a coherent body of work. It also offers strategies for the comparative element of the AQA A-Level English Literature examination, where you are required to compare poems from the anthology with each other and with pre-1900 poetry and prose texts.
The anthology traces a century of changing attitudes to love. The poems are not arranged chronologically, but reading them in historical order reveals a clear trajectory:
| Period | Key Poets | Dominant Attitude |
|---|---|---|
| Early 20th century (1900–1930) | Mew, Millay, Frost | Love as repression, subversion, moral dilemma |
| Mid-century (1930–1960) | MacNeice, Jennings, Larkin | Love as transcendence, erosion, sceptical failure |
| 1960s–1970s | Sexton, Heaney, Douglas, Harrison | Love as confession, violence, elegy, class |
| Late 20th / early 21st century | Duffy, Muldoon, Symmons Roberts, Cope | Love as intertextuality, play, sacred/secular tension |
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