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Question 4 is worth 16 marks and is the most demanding question on Paper 2 Section A. It tests your ability to compare the viewpoints and methods of the two writers across both sources. This is assessed under AO3, which is unique to Paper 2.
A typical Q4 might read:
For this question, you need to refer to the whole of Source A, together with the whole of Source B. Compare how the two writers convey their different attitudes to [travel / education / the countryside / city life]. In your answer, you could: • compare their different attitudes • compare the methods they use to convey their attitudes • support your response with references to both texts.
| Requirement | Explanation |
|---|---|
| Compare both texts throughout | Every paragraph should reference both sources — do not write about them separately |
| Identify different viewpoints | What does each writer think or feel about the topic? How do their attitudes differ? |
| Analyse methods | How does each writer convey their viewpoint? What techniques do they use? |
| Use textual references | Support every point with quotations from both sources |
| Sustain comparison | Use comparison connectives (whereas, in contrast, similarly, however) throughout |
| Viewpoints (What) | Methods (How) |
|---|---|
| The writer's opinion, attitude, or perspective on a topic | The techniques the writer uses to convey that opinion |
| "Writer A admires the city" vs "Writer B fears it" | "Writer A uses positive imagery" vs "Writer B uses threatening language" |
You need to discuss both viewpoints and methods for top marks. Simply identifying what each writer thinks is not enough — you must also analyse how they convey their viewpoint.
Write 3–4 paragraphs, each making a clear comparison between the two writers. Each paragraph should follow this structure:
| Connective | Usage |
|---|---|
| In contrast | The viewpoints are different or opposite |
| Similarly | The viewpoints are alike |
| However | Introducing a contrasting viewpoint |
| Whereas | Highlighting a direct difference |
| While Writer A... | Comparing within the same sentence |
| Both writers... | Identifying a shared viewpoint or method |
| Unlike Writer A... | Emphasising a difference |
Question: Compare how the two writers convey their different attitudes to travel.
Source A (21st century): A travel blogger describes budget backpacking across Southeast Asia with enthusiasm and excitement.
Source B (19th century): A Victorian explorer describes an arduous expedition through West Africa with a tone of endurance and duty.
Answer:
Both writers express a deep engagement with travel, but their attitudes differ markedly. The writer of Source A presents travel as a joyful, liberating experience, describing the moment of arrival in Bangkok as "stepping into a fever dream of colour, noise, and spice." The sensory listing — "colour, noise, and spice" — appeals to multiple senses and creates a vivid, immersive impression, while the metaphor "fever dream" suggests an intoxicating, almost surreal excitement. In contrast, the writer of Source B describes their arrival in the interior as "the beginning of an ordeal which tested every fibre of my resolve." The noun "ordeal" carries connotations of suffering and endurance, and the phrase "every fibre" suggests the journey demands total physical and mental commitment. Whereas Source A's writer is exhilarated, Source B's writer is bracing for hardship.
The writers also differ in how they present the relationship between the traveller and the landscape. Source A's writer uses inclusive, enthusiastic language: "We ate with strangers, slept on rooftops, and swam in rivers we couldn't name." The listing creates a sense of spontaneity and freedom, while "strangers" becoming dining companions implies that travel breaks down social barriers. Source B's writer, however, presents the landscape as an adversary: "The forest closed around us like a trap, and the heat pressed upon our chests until breathing itself became a labour." The simile "like a trap" presents nature as something hostile and imprisoning, while the personification of heat "pressing" on the body creates a claustrophobic, oppressive atmosphere. Where Source A finds openness and connection, Source B finds confinement and struggle.
However, both writers ultimately convey a sense of transformation through travel. Source A's writer concludes that "I left with more questions than answers, but lighter somehow — as if the world had shaken something loose inside me." The image of being "lighter" and having something "shaken loose" suggests that travel has freed the writer from old assumptions or burdens. Similarly, Source B's writer acknowledges that the journey, despite its hardships, "revealed to me strengths I had not known I possessed." Both writers, despite their very different experiences, arrive at the same conclusion: travel changes the traveller. The key difference lies in their methods — Source A uses sensory, celebratory language to convey joy, while Source B uses language of endurance and revelation to convey growth through suffering.
flowchart TB
Topic["Comparison topic<br/>e.g. attitudes to travel"]
Topic --> A["Writer A’s viewpoint<br/>+ quotation from Source A"]
Topic --> B["Writer B’s viewpoint<br/>+ quotation from Source B"]
A --> AM["Writer A’s method<br/>technique + effect"]
B --> BM["Writer B’s method<br/>technique + effect"]
AM --> Connect["Comparative connective<br/>’whereas’ · ’in contrast’ · ’similarly’"]
BM --> Connect
Connect --> Para["One integrated<br/>Q4 paragraph · AO3"]
| Level | Descriptor | Marks |
|---|---|---|
| 4 | Perceptive, detailed comparison; analyses how methods convey viewpoints convincingly | 13–16 |
| 3 | Clear, relevant comparison; explains how methods are used to convey viewpoints | 9–12 |
| 2 | Some comparison; identifies some differences with some reference to methods | 5–8 |
| 1 | Simple, limited awareness of differences; general references | 1–4 |
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