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This lesson continues the thematic analysis of Frankenstein, focusing on isolation, prejudice, and moral responsibility. These themes are woven throughout the novel and connect every character to its central questions about what it means to be human.
Almost every character in Frankenstein experiences isolation. Shelley presents loneliness not as a minor inconvenience but as a destructive force that distorts personality, corrodes morality, and ultimately kills.
| Character | Type of isolation | Consequence |
|---|---|---|
| Victor | Self-imposed — he isolates himself through obsession and secrecy | Loses connection to family, morality, and health |
| The Creature | Forced — society rejects him based on appearance | Turns from innocence to violence |
| Walton | Chosen — he pursues an expedition to the unpeopled Arctic | Longs desperately for a friend |
| Elizabeth | Kept in ignorance by Victor — emotional isolation | Cannot help or protect herself |
| Justine | Social isolation — a servant without powerful allies | Condemned and executed without real defence |
| Quote | Speaker | Analysis |
|---|---|---|
| "I desire the company of a man who could sympathise with me" | Walton | The novel's opening words establish loneliness as a central concern. Walton's desire for a companion mirrors both Victor's and the Creature's needs. |
| "I shunned the face of man; all sound of joy or complacency was torture to me; solitude was my only consolation" | Victor | Victor's guilt drives him into isolation — but isolation only deepens his despair. Shelley creates a vicious cycle: guilt produces isolation, and isolation prevents healing. |
| "Everywhere I see bliss, from which I alone am irrevocably excluded" | The Creature | The Creature's exclusion is total and permanent. The word "irrevocably" is devastating — there is no hope of inclusion. His isolation is not self-imposed but enforced by society. |
| "I am alone and miserable; man will not associate with me" | The Creature | The simplicity and directness of this statement makes it deeply affecting. The Creature does not ask for power or revenge — he asks only for company. |
Shelley uses the sublime landscape — the Alps, the Arctic, the sea — to reflect the characters' isolation:
| Setting | Character | Significance |
|---|---|---|
| The Arctic | Walton / Victor / Creature | The most isolated place on earth — the endpoint of obsessive ambition |
| The Mer de Glace | Victor / Creature | A vast, inhuman landscape where creator and creation finally speak |
| Orkney Islands | Victor | Remote, desolate — where Victor destroys the female creature |
| The De Lacey cottage | The Creature | He is near a family but forever outside it — watching through a gap in the wall |
Examiner's tip: The Creature's isolation is particularly powerful because it is visible — he literally watches the De Lacey family through a chink in the wall, able to see love and warmth but unable to enter. This image encapsulates the theme of exclusion: the Creature is always on the outside, looking in.
Frankenstein is, at its core, a novel about prejudice — the judgement of a being based on appearance rather than character. The Creature is intelligent, articulate, compassionate, and desperate for love, but every human who sees him reacts with horror and violence.
| Encounter | What happens | What it proves |
|---|---|---|
| Victor at creation | Victor flees in disgust | Even his creator judges him by appearance |
| Villagers | They scream, throw stones, and drive him away | Ordinary people respond with instant prejudice |
| Old De Lacey (blind) | De Lacey is kind and compassionate | Without sight, there is no prejudice — proving it is visual |
| Felix (sighted) | Felix attacks the Creature with a stick | Sight triggers instant, violent rejection |
| William | The child screams and calls him "monster" and "ugly wretch" | Even children have absorbed society's prejudice |
The scene with old De Lacey is the novel's most important exploration of prejudice:
De Lacey (BLIND) → Responds to the Creature's WORDS → Compassion
Felix (SIGHTED) → Responds to the Creature's APPEARANCE → Violence
This proves that the Creature's exclusion is based entirely on how he looks, not who he is. Shelley makes the argument that prejudice is a failure of perception — a privileging of surface over substance.
| Quote | Analysis |
|---|---|
| "His yellow skin scarcely covered the work of muscles and arteries beneath" | Victor's first description of the Creature focuses entirely on physical revulsion. He does not attempt to communicate with or understand the being he has created. |
| "Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned?" | The Creature has begun to internalise society's prejudice — he questions whether he deserves to exist. This is the psychological damage of systemic exclusion. |
| "All men hate the wretched" | The Creature's bitter generalisation captures a truth the novel repeatedly demonstrates: society punishes those who look different. |
| "If I cannot inspire love, I will cause fear" | When love is permanently denied, the Creature turns to the only power available — terror. Shelley implies that violence is a consequence of exclusion, not of nature. |
Shelley's exploration of prejudice connects to several social contexts:
| Context | Connection to the novel |
|---|---|
| Slavery and colonialism | The Creature is denied rights and humanity based on his body |
| Class discrimination | Justine (a servant) is condemned; the wealthy Victor goes free |
| Disability and "monstrosity" | The Creature is judged "monstrous" for physical difference |
| Gender | Elizabeth and Justine are powerless in a patriarchal society |
| Immigration and "the other" | The Creature is a stranger in every community — always the outsider |
Examiner's tip: You do not need to make the novel "about" modern issues, but showing awareness of how Shelley's themes connect to broader patterns of prejudice demonstrates sophisticated contextual understanding. A strong essay might note: "Shelley anticipates modern discussions of prejudice by showing that the Creature's violence is not innate but produced by a society that judges solely on appearance."
Frankenstein raises profound questions about moral responsibility — who is to blame for the suffering in the novel?
Victor bears responsibility on multiple levels:
| Level of responsibility | Evidence |
|---|---|
| As a scientist | He creates life without considering the consequences |
| As a parent | He abandons the Creature at birth |
| As a citizen | He says nothing during Justine's trial, allowing an innocent to die |
| As a moral being | He refuses the Creature's reasonable request for a companion |
| As a pursued man | He fails to warn Elizabeth about the threat on their wedding night |
Victor acknowledges his guilt — "I, not in deed, but in effect, was the true murderer" — but never acts on it. His awareness makes his inaction worse, not better.
The Creature also bears responsibility:
| Action | Is the Creature responsible? |
|---|---|
| William's murder | Yes — but he is driven to it by desperation and rage |
| Framing Justine | Yes — this is a calculated act of cruelty |
| Clerval's murder | Yes — revenge for Victor destroying the female |
| Elizabeth's murder | Yes — fulfilment of his threat |
However, the Creature's argument is that his violence is the product of his treatment:
"I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous."
This raises a philosophical question: if a being is denied every form of love, belonging, and justice, is it entirely responsible for the violence it commits?
Society also bears responsibility:
VICTOR creates the Creature and abandons it
|
SOCIETY rejects the Creature based on appearance
|
THE CREATURE turns to violence as the only available response
|
VICTOR refuses to help (destroys the female)
|
THE CREATURE's revenge destroys everyone Victor loves
|
Both are destroyed — but who is truly responsible?
Examiner's tip: The strongest essays on responsibility avoid a simple answer. Do not argue that Victor is "the real monster" without also acknowledging the Creature's choices. Shelley's genius is that she distributes responsibility across creator, creation, and society — forcing the reader to grapple with the complexity.
Knowledge in Frankenstein is both a gift and a curse — echoing the Prometheus myth (fire brings warmth but also burns):
| Character | What they learn | Consequence |
|---|---|---|
| Victor | The secret of creating life | Catastrophe — every loved one dies |
| The Creature | Language, emotion, literature, self-awareness | Greater suffering — he now understands his exclusion |
| Walton | Victor's story — a warning | He turns back — knowledge saves him |
The Creature's discovery of Victor's journal is especially painful:
"I sickened as I read. 'Hateful day when I received life!' I exclaimed in agony."
Knowledge of his own creation — that even his maker found him revolting — deepens the Creature's despair. Shelley suggests that self-knowledge, without the possibility of change, is a form of torture.
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