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Dickens is a master of language — his use of imagery, symbolism, naming, and narrative voice in Great Expectations is rich and deliberate. The examiner rewards students who can analyse language at word level, explaining not just what a technique is but what effect it creates. This lesson covers the key patterns of imagery and language in the novel.
The novel's two main settings — the Kent marshes and London — are described in contrasting language that reflects Pip's moral journey.
The marshes are described with language that is wild, open, and atmospheric:
"Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea"
| Feature of marsh language | Effect |
|---|---|
| Open, flat landscape | Suggests vulnerability, exposure — nowhere to hide |
| Fog, mist, darkness | Moral ambiguity — things are not clear on the marshes |
| Graveyard imagery | Death, loss — Pip is an orphan surrounded by graves |
| The Hulks (prison ships) | Crime is literally visible on the horizon |
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