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In the Edexcel 1ET0 Paper 1 Section B (Post-1914 British Play or Novel), you will not be given an extract. You answer from memory and must choose one of two questions on the play. This lesson analyses the most important moments in An Inspector Calls so you can internalise short quotations and use them as springboards for an AO1 personal response framed by AO3 context. Remember: AO2 (language/structure analysis) is not assessed on this section — focus on argument + evidence + context, not device-hunting.
| Feature | Detail |
|---|---|
| Paper | Edexcel 1ET0 Paper 1 Section B: Post-1914 British Play or Novel |
| Time | Approximately 50 minutes (of a 1 hour 45 minute paper) |
| Extract | No extract — closed book, answer from memory |
| Question style | Choice of two essay questions on An Inspector Calls — answer one. Typical focus: a theme, a character, or Priestley's ideas. |
| Assessment Objectives | AO1 (20 marks) critical personal response with well-selected references + AO3 (20 marks) relationships between the text and the contexts in which it was written and received |
| Not assessed here | AO2 is NOT assessed on Section B. No SPaG on this section either (SPaG is only on the Shakespeare question in Paper 1 Section A). |
| Marks | 40 marks total |
| AO | What it assesses | Marks (of 40) |
|---|---|---|
| AO1 | Critical, informed personal response with well-selected textual references | 20 |
| AO3 | Relationships between the text and the contexts in which it was written and received | 20 |
Examiner's tip: Because there is no extract, memorise short quotations (2–6 words) so you can embed them fluently. Every paragraph should fuse an argument about Priestley's intent (AO1) with a contextual frame — 1912 vs 1945 audience, Edwardian class, socialism, post-war welfare state (AO3).
Do not hunt for language devices (sibilance, metaphor, caesura) for their own sake — AO2 carries zero marks here. Students who spend paragraphs on device-labelling waste time that should go to argument + context.
"But the way some of these cranks talk and write now, you'd think everybody has to look after everybody else, as if we were all mixed up together like bees in a hive — community and all that nonsense. But take my word for it, you youngsters — and I've learnt in the good hard school of experience — that a man has to mind his own business and look after himself and his own — and —"
We hear the sharp ring of a front door bell. Birling stops to listen.
| Feature | Detail | Effect |
|---|---|---|
| Dramatic irony | "cranks" — the Inspector (and Priestley) hold exactly these views | Birling dismisses the very philosophy the play endorses |
| Simile | "like bees in a hive" | Birling mocks collective living — but bees are productive and cooperative |
| Repetition | "himself and his own" | Emphasises selfishness — narrow focus on the individual |
| The doorbell | Interrupts mid-sentence with a dash | Priestley literally cuts Birling off — his philosophy is interrupted by moral reckoning |
| Stage direction | "sharp ring" | "Sharp" suggests urgency and aggression — the Inspector's arrival is forceful |
Examiner's tip: The interruption of the doorbell is one of the most analysable moments in the play. You could write: "Priestley uses the doorbell to structurally undercut Birling's capitalist philosophy — the Inspector's arrival is timed to interrupt Birling's complacent speech, suggesting that moral reckoning cannot be delayed by self-serving rhetoric."
"But just remember this. One Eva Smith has gone — but there are millions and millions and millions of Eva Smiths and John Smiths still left with us, with their lives, their hopes and fears, their suffering, and chance of happiness, all intertwined with our lives, with what we think and say and do. We don't live alone. We are members of one body. We are responsible for each other. And I tell you that the time will soon come when, if men will not learn that lesson, then they will be taught it in fire and blood and anguish. Good night."
| Feature | Detail | Effect |
|---|---|---|
| Repetition | "millions and millions and millions" | Triple repetition emphasises the vast scale — Eva represents an entire class |
| Tricolon | "their lives, their hopes and fears, their suffering" | Builds emotional weight; humanises the working class |
| First person plural | "We don't live alone. We are members of one body" | Includes the audience — this is not just about the Birlings |
| Short declarative sentences | "We are responsible for each other" | Moral certainty — no hedging, no qualification |
| Prophetic warning | "fire and blood and anguish" | Biblical tone; refers to WWI and WWII |
| Religious echo | "members of one body" | Echoes 1 Corinthians 12:27 — "Now you are the body of Christ, and each one of you is a part of it" |
Examiner's tip: This speech is the moral and structural climax of the play. Every essay on An Inspector Calls should reference it, regardless of the question topic.
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