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Understanding the context of The Strange Case of Dr Jekyll and Mr Hyde is essential for achieving top marks at GCSE. The examiner wants to see that you can connect Stevenson's choices to the Victorian world he was writing in. This lesson covers Stevenson's life, the Victorian era, and why this novella was so shocking and relevant for its original audience.
| Fact | Detail |
|---|---|
| Born | 1850, Edinburgh, Scotland |
| Died | 1894, Samoa |
| Key works | Treasure Island, Kidnapped, Dr Jekyll and Mr Hyde |
| Jekyll and Hyde published | 1886 |
| Genre | Gothic novella / horror |
| Narrative form | Multiple narrators, epistolary elements |
Stevenson wrote Jekyll and Hyde in 1886 during the height of the Victorian era. Legend has it that he wrote the first draft in just three days after a vivid nightmare, burned it, and rewrote the entire novella from scratch.
The Victorian era (1837–1901) was named after Queen Victoria, who reigned over a period of enormous change in Britain.
Stevenson's London is central to the novella. The city in Jekyll and Hyde is a place of duality — respectable streets sit alongside dark, sinister alleyways.
| Feature | Respectable London | Dark London |
|---|---|---|
| Architecture | Grand townhouses, squares | Narrow alleys, crumbling buildings |
| Inhabitants | Doctors, lawyers, gentlemen | Criminals, sex workers, the destitute |
| Atmosphere | Order, light, propriety | Fog, darkness, danger |
| Symbolism in the novella | Jekyll's front door — grand and welcoming | Hyde's door — blistered, without a knocker |
Examiner's tip: The two doors of Jekyll's house are a powerful symbol of duality. The front door faces a respectable square; the back door (used by Hyde) opens onto a sinister by-street. This physical structure mirrors Jekyll's double life.
For Victorian gentlemen, reputation was everything. The worst thing that could happen to a man of status was public disgrace.
"I learned to recognise the thorough and primitive duality of man" — Jekyll's full statement of the case
This quote is central to the novella's meaning. Jekyll recognises that every person contains both good and evil, but Victorian society demands that the evil be completely hidden.
One of the most important contextual tensions in Jekyll and Hyde is the conflict between science and religion.
Charles Darwin published On the Origin of Species in 1859, arguing that humans evolved from earlier primates through natural selection. This was deeply controversial because:
Hyde is repeatedly described in animalistic terms — "ape-like fury", "like a monkey", "hardly human". This connects directly to Victorian fears about degeneration: the idea that humanity could devolve — regress to a more primitive, bestial state.
| Concept | Explanation |
|---|---|
| Degeneration | The fear that civilised humans could revert to a primitive state |
| Atavism | The reappearance of ancestral, "primitive" traits in modern humans |
| Criminal type | The idea (from Lombroso) that criminals had distinct physical features — ape-like, deformed |
Hyde embodies Victorian fears of atavism. He is smaller, younger, and physically deformed — as if he is a less evolved version of Jekyll.
Examiner's tip: When writing about Hyde's physical appearance, always connect it to degeneration theory. For example: "Stevenson presents Hyde as 'troglodytic' — literally cave-dwelling — which reflects Victorian anxieties about evolutionary regression and the fear that the 'primitive' self lurked beneath the civilised exterior."
Jekyll and Hyde belongs to the Gothic tradition — a genre characterised by horror, mystery, and the supernatural.
| Convention | How Stevenson uses it |
|---|---|
| Dark, oppressive settings | Foggy London streets, locked laboratories, sinister alleyways |
| Doubles / doppelgangers | Jekyll and Hyde are literally the same person split in two |
| The supernatural | The transformation itself — science pushed to unnatural extremes |
| Secrecy and mystery | Locked doors, sealed letters, withheld information |
| Fear and horror | Witnesses are physically repulsed by Hyde; Carew's murder is brutal |
| Transgression | Jekyll crosses moral and scientific boundaries |
The novella also draws on the tradition of the doppelganger (German: "double-goer") — the idea that every person has a dark double. This concept appears throughout Gothic literature, from Mary Shelley's Frankenstein to Edgar Allan Poe's William Wilson.
Although Jekyll and Hyde is set in London, Stevenson was inspired by his hometown of Edinburgh, a city famous for its literal duality:
Stevenson was also influenced by the real case of Deacon Brodie (1741–1788), an Edinburgh cabinet-maker and city councillor by day who was a burglar and gambler by night. Brodie was eventually caught and hanged. His double life directly inspired the Jekyll/Hyde duality.
| Contextual idea | Relevance to the novella |
|---|---|
| Victorian respectability | Jekyll suppresses his desires to maintain his reputation |
| Hypocrisy | The novella exposes the gap between public appearance and private reality |
| Darwin / evolution | Hyde is described in animalistic, primitive terms |
| Degeneration theory | Hyde represents the fear of evolutionary regression |
| Science vs religion | Jekyll's experiment challenges God's natural order |
| Gothic genre | Doubles, secrecy, darkness, horror, transgression |
| Deacon Brodie | Real-life inspiration for the double life |
| Edinburgh / London | Cities of duality — respectable fronts hiding dark interiors |
Stevenson wrote the novella for several interconnected reasons:
When Jekyll and Hyde was published in January 1886, it was an immediate sensation:
The Strange Case of Dr Jekyll and Mr Hyde was written in a world where respectability was paramount, science was challenging religion, and fears about human nature were intensifying. Every choice Stevenson makes — from the foggy London setting to Hyde's ape-like appearance to the locked doors and sealed letters — is shaped by this context. Understanding Victorian society, its anxieties, and its hypocrisies is the foundation for everything that follows.
This content is aligned with the Edexcel GCSE English Literature (1ET0) Paper 2 specification.