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Your ending is the last thing the examiner reads. It is what stays in their mind as they decide your mark. A rushed, weak ending can undo all the good work of a strong opening and middle. A powerful ending can elevate an entire story.
Think about the best films you have ever watched. You probably remember how they ended. The ending is what gives a story its meaning — it tells the reader what the story was really about.
Many students spend all their time on the opening and the middle, then run out of time and scribble a quick ending: "And then I woke up and it was all a dream." This is the worst ending in the history of creative writing, and it will cost you marks every single time.
This lesson will teach you five reliable techniques for writing endings that satisfy, surprise, and stay with the reader long after they have finished reading.
graph TD
A[5 Types of Ending] --> B[Resolution]
A --> C[Twist]
A --> D[Circular]
A --> E[Cliffhanger]
A --> F[Reflective]
The problem is solved. The story reaches a satisfying conclusion. The character has changed or learned something. This is the most traditional type of ending and, when done well, it is deeply satisfying.
When to use it: Stories about overcoming challenges, friendship, family, personal growth.
Model Ending (Story: A girl who was afraid of performing in the school concert):
The last note hung in the air — pure and clear and trembling — and then the hall erupted. Applause crashed over me like a wave, and through the blur of stage lights I could see Mum in the third row, standing up, her hands pressed to her mouth. My legs were shaking. My hands were shaking. But I was smiling — a ridiculous, unstoppable smile that stretched across my face and would not leave. I had done it. Not perfectly, not flawlessly, but I had done it. And as I took my bow, I realised that being brave does not mean being unafraid. It means being terrified and doing it anyway.
Something unexpected is revealed at the very end that changes the reader's understanding of the story. Twist endings are exciting to write, but they must be set up carefully — the twist should surprise the reader but also make sense when they think back over the story.
When to use it: Mystery, suspense, stories with secrets.
Model Ending (Story: A boy who receives anonymous notes telling him to do kind things):
I found the last note in my locker on Friday afternoon. It said simply: "Look in the mirror." I frowned, turned the paper over. Nothing else. I walked to the boys' toilets, stood in front of the mirror, and stared at my own reflection. And then I understood. I looked down at the note again, at the handwriting I had been studying for weeks, trying to identify. It was my handwriting. The loops, the slant, the way I crossed my t's — it was mine. But I had no memory of writing any of them. I looked at the mirror again. My reflection smiled back at me, and for just a moment — a single, flickering moment — I was not sure it was copying me.
The ending connects back to the opening, creating a satisfying sense of completion. The story ends where it began, but something has changed — the character sees the same place or situation differently.
When to use it: Any story, but especially those about personal change or journeys.
Model Ending (Story that opened with "The old oak tree stood alone in the middle of the field"):
I stood under the old oak tree one last time. The field looked the same as it always had — wide and green and stretching to the horizon. But I was not the same. The person who had stood here six months ago, scared and angry and certain that nothing would ever feel right again, was someone I could barely recognise. The tree's branches spread above me, and I pressed my hand against the bark — rough and warm from the sun — and whispered a thank you. Not to the tree, exactly. To everything it had stood witness to. Then I turned, walked across the field, and did not look back. The old oak tree stood alone in the middle of the field. But I was no longer alone.
The story ends at a moment of tension or uncertainty. The reader does not know what happens next. This works well for short stories because it leaves the reader's imagination to fill in the rest.
When to use it: Thriller, horror, mystery, adventure.
Model Ending (Story: A girl exploring a mysterious tunnel found beneath her school):
The tunnel opened out into a chamber — vast, echoing, and completely dark. I swept my torch across the space, and the beam picked out the edges of something enormous: a shape that should not have been there, could not have been there, beneath the foundations of a school built in 1962. My torch flickered. The battery was dying. I had perhaps thirty seconds of light left. I stepped forward, and as the beam swept upwards across the shape, I began to understand what it was. My torch went out. In the sudden, total darkness, I heard it breathe.
The character reflects on what has happened and what it means. This is a quiet, thoughtful ending that gives the story emotional depth. It works best when the character has learned something or been changed by the events.
When to use it: Realistic fiction, personal stories, stories about relationships and growth.
Model Ending (Story: A boy whose best friend moves away):
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