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Context & Introduction
Context & Introduction
Understanding the context of The Strange Case of Dr Jekyll and Mr Hyde is essential for achieving top marks at GCSE. The examiner wants to see that you can connect Stevenson's choices to the Victorian world he was writing in. This lesson covers Stevenson's life, the Victorian era, and why this novella was so shocking and relevant for its original audience.
Robert Louis Stevenson: The Basics
| Fact | Detail |
|---|---|
| Born | 1850, Edinburgh, Scotland |
| Died | 1894, Samoa |
| Key works | Treasure Island, Kidnapped, Dr Jekyll and Mr Hyde |
| Jekyll and Hyde published | 1886 |
| Genre | Gothic novella / horror |
| Narrative form | Multiple narrators, epistolary elements |
Stevenson wrote Jekyll and Hyde in 1886 during the height of the Victorian era. Legend has it that he wrote the first draft in just three days after a vivid nightmare, burned it, and rewrote the entire novella from scratch.
The Victorian Era
The Victorian era (1837–1901) was named after Queen Victoria, who reigned over a period of enormous change in Britain.
Key features of Victorian society
- Rigid class system — society was strictly divided into upper, middle, and working classes. Reputation and status mattered enormously.
- Respectability and propriety — especially for middle- and upper-class men, outward appearance and moral conduct were paramount.
- Hypocrisy — beneath the surface of Victorian respectability, there was widespread vice: prostitution, opium dens, alcoholism, and poverty.
- Rapid industrialisation — cities like London and Edinburgh grew rapidly, creating stark contrasts between wealthy areas and slums.
- Scientific revolution — Darwin's On the Origin of Species (1859) challenged religious beliefs and raised questions about human nature.
Victorian London: A City of Contrasts
Stevenson's London is central to the novella. The city in Jekyll and Hyde is a place of duality — respectable streets sit alongside dark, sinister alleyways.
| Feature | Respectable London | Dark London |
|---|---|---|
| Architecture | Grand townhouses, squares | Narrow alleys, crumbling buildings |
| Inhabitants | Doctors, lawyers, gentlemen | Criminals, sex workers, the destitute |
| Atmosphere | Order, light, propriety | Fog, darkness, danger |
| Symbolism in the novella | Jekyll's front door — grand and welcoming | Hyde's door — blistered, without a knocker |
Examiner's tip: The two doors of Jekyll's house are a powerful symbol of duality. The front door faces a respectable square; the back door (used by Hyde) opens onto a sinister by-street. This physical structure mirrors Jekyll's double life.
Victorian Morality and Reputation
For Victorian gentlemen, reputation was everything. The worst thing that could happen to a man of status was public disgrace.
The cult of respectability
- Men were expected to be rational, restrained, and morally upright in public.
- Emotions, desires, and anything considered "base" or "animal" had to be suppressed.
- This created enormous psychological pressure — men could not express their full humanity without risking their social standing.
- Stevenson explores what happens when this suppression becomes unbearable — Jekyll's experiment is an attempt to separate his respectable self from his hidden desires.
"I learned to recognise the thorough and primitive duality of man" — Jekyll's full statement of the case
This quote is central to the novella's meaning. Jekyll recognises that every person contains both good and evil, but Victorian society demands that the evil be completely hidden.
Science vs Religion in the Victorian Era
One of the most important contextual tensions in Jekyll and Hyde is the conflict between science and religion.
Darwin and Evolution
Charles Darwin published On the Origin of Species in 1859, arguing that humans evolved from earlier primates through natural selection. This was deeply controversial because:
- It challenged the biblical account of creation (Genesis)
- It suggested humans were animals, not divinely created beings
- It raised terrifying questions: if we evolved from apes, is the "beast" still inside us?
Hyde is repeatedly described in animalistic terms — "ape-like fury", "like a monkey", "hardly human". This connects directly to Victorian fears about degeneration: the idea that humanity could devolve — regress to a more primitive, bestial state.
Degeneration Theory
| Concept | Explanation |
|---|---|
| Degeneration | The fear that civilised humans could revert to a primitive state |
| Atavism | The reappearance of ancestral, "primitive" traits in modern humans |
| Criminal type | The idea (from Lombroso) that criminals had distinct physical features — ape-like, deformed |
Hyde embodies Victorian fears of atavism. He is smaller, younger, and physically deformed — as if he is a less evolved version of Jekyll.
Examiner's tip: When writing about Hyde's physical appearance, always connect it to degeneration theory. For example: "Stevenson presents Hyde as 'troglodytic' — literally cave-dwelling — which reflects Victorian anxieties about evolutionary regression and the fear that the 'primitive' self lurked beneath the civilised exterior."
The Gothic Genre
Jekyll and Hyde belongs to the Gothic tradition — a genre characterised by horror, mystery, and the supernatural.
Gothic conventions in Jekyll and Hyde
| Convention | How Stevenson uses it |
|---|---|
| Dark, oppressive settings | Foggy London streets, locked laboratories, sinister alleyways |
| Doubles / doppelgangers | Jekyll and Hyde are literally the same person split in two |
| The supernatural | The transformation itself — science pushed to unnatural extremes |
| Secrecy and mystery | Locked doors, sealed letters, withheld information |
| Fear and horror | Witnesses are physically repulsed by Hyde; Carew's murder is brutal |
| Transgression | Jekyll crosses moral and scientific boundaries |
The novella also draws on the tradition of the doppelganger (German: "double-goer") — the idea that every person has a dark double. This concept appears throughout Gothic literature, from Mary Shelley's Frankenstein to Edgar Allan Poe's William Wilson.
Stevenson's Edinburgh: The Inspiration
Although Jekyll and Hyde is set in London, Stevenson was inspired by his hometown of Edinburgh, a city famous for its literal duality:
- The New Town — elegant, rational, Georgian architecture (the "Jekyll" side)
- The Old Town — dark, medieval, cramped, and dangerous (the "Hyde" side)
Stevenson was also influenced by the real case of Deacon Brodie (1741–1788), an Edinburgh cabinet-maker and city councillor by day who was a burglar and gambler by night. Brodie was eventually caught and hanged. His double life directly inspired the Jekyll/Hyde duality.
Key Contextual Ideas: Quick Reference
| Contextual idea | Relevance to the novella |
|---|---|
| Victorian respectability | Jekyll suppresses his desires to maintain his reputation |
| Hypocrisy | The novella exposes the gap between public appearance and private reality |
| Darwin / evolution | Hyde is described in animalistic, primitive terms |
| Degeneration theory | Hyde represents the fear of evolutionary regression |
| Science vs religion | Jekyll's experiment challenges God's natural order |
| Gothic genre | Doubles, secrecy, darkness, horror, transgression |
| Deacon Brodie | Real-life inspiration for the double life |
| Edinburgh / London | Cities of duality — respectable fronts hiding dark interiors |
Why Was Jekyll and Hyde Written?
Stevenson wrote the novella for several interconnected reasons:
- To explore the duality of human nature — the idea that every person contains both good and evil.
- To critique Victorian hypocrisy — a society that demanded moral perfection while hiding widespread vice.
- To engage with contemporary scientific debates — Darwin, degeneration, and the limits of science.
- To horrify and entertain — the novella was a bestseller, combining mystery, horror, and psychological depth.
- To dramatise the consequences of repression — Jekyll's experiment is born from the unbearable pressure of hiding his true self.
The Original Audience
When Jekyll and Hyde was published in January 1886, it was an immediate sensation:
- It sold 40,000 copies in the first six months in Britain alone.
- It was widely discussed in churches — clergymen used it as a parable about sin and temptation.
- The story became a cultural phenomenon — "Jekyll and Hyde" entered the English language as a phrase meaning someone with a double personality.
- Victorian readers would have found the themes deeply uncomfortable — Stevenson was holding a mirror up to their own society.
Key Context Revision Checklist
- Stevenson published Jekyll and Hyde in 1886 during the Victorian era
- Victorian society valued respectability and suppressed "base" desires
- Darwin's theory of evolution (1859) raised fears about human nature
- Degeneration theory — the fear of reverting to a primitive state
- Hyde embodies Victorian anxieties about atavism and the "beast within"
- The novella belongs to the Gothic genre — doubles, secrecy, horror
- Deacon Brodie was a real-life inspiration for Jekyll's double life
- London and Edinburgh are cities of duality — respectable fronts, dark interiors
- Science vs religion — Jekyll's experiment transgresses God's natural order
- The novella was a bestseller and cultural phenomenon
Summary
The Strange Case of Dr Jekyll and Mr Hyde was written in a world where respectability was paramount, science was challenging religion, and fears about human nature were intensifying. Every choice Stevenson makes — from the foggy London setting to Hyde's ape-like appearance to the locked doors and sealed letters — is shaped by this context. Understanding Victorian society, its anxieties, and its hypocrisies is the foundation for everything that follows.