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Understanding the context of Great Expectations is essential for achieving top marks at GCSE. The examiner wants to see that you can connect Dickens's choices to the world he was writing in. This lesson covers Dickens's life, the Victorian era, and why Great Expectations was the perfect novel for its time.
| Fact | Detail |
|---|---|
| Born | 7 February 1812, Portsmouth |
| Died | 9 June 1870, Gad's Hill Place, Kent |
| Great Expectations written | 1860–1861 |
| First published | Serialised weekly in All the Year Round |
| Genre | Bildungsroman (coming-of-age novel) |
| Narrator | First-person retrospective (older Pip looking back) |
Dickens wrote Great Expectations when he was at the height of his fame. It was serialised — published in weekly instalments — which shaped the novel's structure: each chapter ends with a hook to keep readers buying the next issue.
Dickens's own childhood is directly relevant to Great Expectations:
This autobiographical pain fuels Great Expectations. Pip's shame about his working-class origins, his longing to be a gentleman, and his eventual realisation that social class does not equal moral worth all reflect Dickens's own experiences.
Examiner's tip: When writing about context, avoid simply listing facts. Instead, show how the context shaped Dickens's choices. For example: "Dickens draws on his own experience of childhood poverty and shame to create Pip's visceral embarrassment at his 'coarse hands' and 'thick boots' — the novel is partly autobiographical in its exploration of class anxiety."
Great Expectations is set in the early Victorian period (the 1810s–1830s, roughly) but was written in 1860–1861. Dickens was writing about a world he remembered from childhood while also commenting on his own contemporary society.
Victorian society was obsessed with class distinctions:
| Class | Examples in the novel | Characteristics |
|---|---|---|
| Upper class | Miss Havisham, Estella | Inherited wealth, social status |
| Middle class | Mr Jaggers, Mr Wemmick, Mr Pumblechook | Professional or commercial wealth |
| Working class | Joe Gargery, Biddy | Manual labour, honest but looked down on |
| Criminal class | Magwitch, Compeyson | Outcasts, transported convicts |
Dickens challenges these categories throughout the novel. The "gentleman" Compeyson is morally corrupt, while the convict Magwitch shows extraordinary generosity and love. Joe Gargery, the humble blacksmith, is arguably the most morally admirable character in the entire novel.
Examiner's tip: Always link class to specific characters. For example: "Dickens uses the contrast between Magwitch and Compeyson to expose the hypocrisy of the Victorian class system — Compeyson receives a lighter sentence at trial because he 'looked like a gentleman', while Magwitch, the morally superior man, is punished more harshly because of his appearance."
The concept of transportation is central to the novel's plot:
This is not just a plot device. Dickens uses Magwitch's situation to critique a system that permanently branded people as criminals regardless of their moral reformation.
Great Expectations is a Bildungsroman — a German term meaning a "novel of formation" or coming-of-age story.
Key features of the Bildungsroman:
| Feature | How Great Expectations fulfils it |
|---|---|
| Young protagonist | Pip narrates from childhood to adulthood |
| Journey from innocence | Pip begins as a naive orphan on the marshes |
| Moral and social education | Pip learns through experience, mistakes, and suffering |
| Disillusionment | His "great expectations" prove hollow and morally corrupting |
| Mature understanding | Older Pip reflects on his youthful errors with self-knowledge |
Examiner's tip: Use the term Bildungsroman in your essays — it shows sophisticated genre awareness. You could write: "Dickens structures Great Expectations as a Bildungsroman, tracing Pip's moral education from naive childhood through the corrupting influence of wealth to eventual self-awareness and humility."
Great Expectations is narrated by Pip himself, looking back on his life from an older, wiser perspective. This creates a dual perspective:
This narrative technique allows Dickens to:
Example of the dual voice: "I loved Joe — perhaps only then I didn't — but I loved Joe." The hesitation shows older Pip's guilt at having taken Joe for granted.
Great Expectations was published in weekly instalments in Dickens's own magazine, All the Year Round, from December 1860 to August 1861.
Serialisation affected the novel's structure:
| Volume | Chapters | Pip's stage |
|---|---|---|
| Volume 1 | 1–19 | Childhood on the marshes |
| Volume 2 | 20–39 | Life as a gentleman in London |
| Volume 3 | 40–59 | Disillusionment and redemption |
Great Expectations was written in a world where class defined your identity, crime was punished with transportation, and moral respectability was judged by outward appearances. Dickens draws on his own painful childhood to create a novel that exposes the hollowness of social ambition and the true meaning of being a "gentleman." Understanding this context is the foundation for everything that follows.