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Spec mapping: OCR H556 Module 4.4 — Waves: progressive waves, transverse vs longitudinal, wavefronts and rays, energy transfer without net transfer of matter. (Refer to the official OCR H556 specification document for exact wording.)
Waves are one of the most pervasive phenomena in physics. From the ripples on a pond to the light reaching your eye from a distant galaxy, from the sound of a spoken word to the pulses travelling along a nerve fibre, waves carry energy and information across space without the bulk transport of matter. Module 4.4 of the OCR A-Level Physics A specification — Waves — asks you to understand wave motion at a level which will underpin everything you subsequently study in optics, quantum physics, communications and modern physics.
This lesson establishes the conceptual scaffolding: what a progressive wave actually is, the distinction between transverse and longitudinal waves, the representation of waves via wavefronts and rays, and the energy-without-matter principle that students at GCSE encounter as a slogan but at A-Level must be able to defend in detail.
Informally, a wave is a disturbance that travels through a medium (or through space) transferring energy from one place to another without transferring matter.
That definition contains three essential ideas, and each deserves scrutiny:
This last point is the most common source of confusion for students beginning A-Level. When a water wave moves across a pond, a floating cork bobs up and down but does not travel with the wave. The wave carries energy horizontally; the cork's motion is (approximately) vertical. Similarly, when sound travels across a room, air molecules oscillate about their equilibrium positions by a tiny fraction of a millimetre — they do not drift from the speaker to your ear.
Exam Tip: If an OCR question asks you to "explain what is meant by a progressive wave", your answer must include both ideas: (1) energy is transferred through the medium, and (2) particles of the medium do not move with the wave — they oscillate about equilibrium.
A progressive wave (sometimes called a travelling wave) is one in which the disturbance travels through space, carrying energy with it. This is contrasted with a stationary wave (Lesson 11), in which energy is stored but not transmitted.
For a progressive wave:
Consider a long rope with one end shaken up and down. The shake creates a pulse which propagates along the rope. Every particle of the rope moves vertically — up and then down — and each particle starts its motion a fraction of a second after its neighbour. The result is a travelling hump that moves along the rope at a speed determined by the tension and mass per unit length of the rope.
flowchart LR
S[Source oscillates] --> P1[Particle 1 pulled up]
P1 --> P2[Particle 2 pulled up later]
P2 --> P3[Particle 3 pulled up later still]
P3 --> P4[Pattern appears to move]
P4 --> E[Energy transferred along rope]
P4 --> M[No net motion of matter]
A transverse wave is one in which the oscillations (displacement of particles) are perpendicular to the direction of energy transfer.
Examples include:
A characteristic property of transverse waves is that they can be polarised — because the oscillations are perpendicular to propagation, they can be restricted to a single plane. This is the key experimental evidence that light is a transverse wave, as you will see in Lesson 4.
A longitudinal wave is one in which the oscillations (displacement of particles) are parallel to the direction of energy transfer.
The disturbance consists of alternating regions of compression (where particles are pushed together) and rarefaction (where particles are spread apart). The compressions and rarefactions travel through the medium at the wave speed, while each individual particle oscillates back and forth about its equilibrium position along the line of travel.
Examples include:
Longitudinal waves cannot be polarised, because the oscillation is already along a single direction (the direction of travel); there is nothing further to restrict. This is a useful test: if you can polarise it, it is transverse; if you cannot, it is longitudinal.
| Feature | Transverse | Longitudinal |
|---|---|---|
| Direction of oscillation | Perpendicular to propagation | Parallel to propagation |
| Can be polarised? | Yes | No |
| Examples | Light, EM waves, waves on a string, water waves, S-waves | Sound, P-waves, compression waves on a slinky |
| Can travel through vacuum? | Only EM waves | No |
| Visual appearance | Crests and troughs | Compressions and rarefactions |
| Displacement graphed against position | Sine curve | Sine curve (of displacement) |
Note the last row: although longitudinal waves look very different physically, their displacement–position graph looks just the same as that of a transverse wave — a sinusoid. This is because we plot the signed displacement of each particle from equilibrium, whether that displacement is along the direction of travel or across it.
Exam Tip: The OCR specification explicitly requires you to "give examples of transverse and longitudinal waves" and to "describe the differences between transverse and longitudinal waves". Practise a one-sentence answer for each.
For two-dimensional and three-dimensional wave propagation, we need two further pieces of representation.
A wavefront is a surface (in 3-D) or a line (in 2-D) joining points of the wave at the same phase — for instance, all the points currently at the top of a crest. Wavefronts are usually drawn at intervals of one wavelength.
A ray is a line drawn perpendicular to the wavefronts, pointing in the direction of energy transfer. For light, the rays in geometric optics are the lines you draw with a ruler in ray-tracing diagrams.
flowchart TD
A[Point source] --> B[Circular wavefronts]
B --> C[Rays perpendicular to wavefronts]
C --> D[Rays diverge radially]
A --> E[Plane-wave source at infinity]
E --> F[Straight, parallel wavefronts]
F --> G[Parallel rays]
For a point source, wavefronts are concentric spheres (circles in 2-D), and rays are radial lines diverging outward — like the spokes of a wheel. For a plane-wave source (e.g. a distant star, treated as effectively at infinity), wavefronts are flat parallel planes (straight parallel lines in 2-D), and rays are parallel.
The wavefront-and-ray picture is the language of Huygens's construction, which we revisit in the refraction lesson: each point on a wavefront can be treated as a secondary source of spherical wavelets, and the new wavefront is the envelope of those wavelets a moment later. This is how the wave model produces straight-line propagation in homogeneous media (rays) and how it predicts bending at boundaries (refraction).
All waves originate in some oscillation at a source. A loudspeaker cone vibrating backwards and forwards compresses the air in front of it, creating a longitudinal sound wave. An electron oscillating in an aerial generates an electromagnetic wave. A stone dropped into a pond disturbs the water surface, creating a transverse ripple. The frequency of the source determines the frequency of the wave; the medium determines the speed; the wavelength is what you get from combining the two.
This is worth emphasising because students sometimes imagine that the wave speed is controlled by the source. It is not. A violin string and a cello string both produce sound waves in air at the same speed (about 340 m s−1), even though the strings themselves vibrate at very different frequencies. The wavelengths of the resulting sound waves differ to match.
A wave transfers energy. For a wave of a given type and frequency, the energy transferred per unit time (the power P) is proportional to the square of the amplitude A:
P∝A2
This is why a loud sound requires much more power than a quiet one — doubling the amplitude quadruples the power. It also explains why distant sources appear faint: as a wave spreads out from a point source, the energy is distributed over a larger surface area (a sphere of surface area 4πr2), and the intensity (power per unit area) falls as the inverse square of the distance:
I=4πr2P
You will use this inverse-square law again when you study electromagnetic radiation from stars (Module 5) and in the photoelectric-effect and quantum modules.
A second consequence is that intensity scales as the square of amplitude:
I∝A2
This relationship will reappear immediately in the Malus's-law lesson, where the cosine-squared dependence of transmitted intensity through a Polaroid filter is the direct consequence of amplitude being proportional to cosθ.
Q. Classify each of the following as transverse or longitudinal, and state whether it can be polarised: (a) ultrasound in water, (b) microwaves in air, (c) a ripple on a pond, (d) the vibration of a violin string, (e) a seismic P-wave.
A.
(a) Longitudinal, cannot be polarised — sound (including ultrasound) in fluids is always longitudinal. (b) Transverse, can be polarised — all electromagnetic waves, including microwaves, are transverse. (c) Transverse (to A-Level approximation), can be polarised — water waves are treated as transverse, with surface particles moving vertically. (d) Transverse, can be polarised — the string moves perpendicular to its length. (e) Longitudinal, cannot be polarised — P-waves are primary (pressure) waves, longitudinal in character. (S-waves, by contrast, are transverse shear waves.)
Q. A student claims that "if you stretch a horizontal slit narrow enough, sound passing through it will be polarised in the horizontal plane, just like light through a polaroid". Explain in two or three sentences why this claim is wrong.
A. Sound is a longitudinal wave: the particle oscillations are along the direction of propagation, not perpendicular to it. Polarisation is a restriction of perpendicular oscillations to a single plane; since longitudinal waves have no perpendicular oscillations to restrict, the concept does not apply. The narrow slit will diffract the sound (because the wavelength is comparable to the slit width) but it cannot polarise it.
Q. A small loudspeaker emits sound with a power of 0.40 W uniformly in all directions. Estimate the sound intensity at a distance of 2.0 m from the loudspeaker, ignoring absorption by the air.
A. The loudspeaker is treated as a point source radiating into a sphere of radius r=2.0 m. The surface area of that sphere is 4πr2=4π(2.0)2=50.3 m2. Hence:
I=4πr2P=50.30.40=7.95×10−3 W m−2≈8.0 mW m−2.
At twice that distance (4.0 m), the intensity would fall to one quarter, by the inverse-square law: about 2.0 mW m−2.
Question (9 marks): A long horizontal spring (slinky) is laid on a smooth table. A student holds one end and pushes it sharply forwards and backwards along its length, sending a wave along the spring.
(a) State what is meant by a progressive wave, making clear what is and is not transferred by the wave. [2]
(b) State whether the wave on the slinky in this experiment is transverse or longitudinal. Justify your answer in terms of the direction of particle oscillation. [2]
(c) A second student takes a piece of unsharpened pencil and rests it lightly on the slinky midway along its length, marking the spring with a small dab of paint. Describe and explain the motion of the painted region as the wave passes. Include a comment on its net displacement after the wave has fully passed. [3]
(d) Sound waves in air at room temperature travel at approximately 340 m s−1 and a particular note has a frequency of 440 Hz. State the type of wave (transverse or longitudinal) and calculate its wavelength. Then explain in one sentence why this sound cannot be polarised. [2]
| Mark | AO | Awarded for |
|---|---|---|
| 1 | AO1 | "Energy is transferred through the medium" |
| 2 | AO1 | "No net transfer of matter" / particles oscillate about a mean |
| 3 | AO1 | Identifies wave as longitudinal |
| 4 | AO2 | Justifies via particle oscillation parallel to propagation |
| 5 | AO1 | Describes oscillatory motion of painted region |
| 6 | AO2 | Direction of oscillation matches longitudinal nature (parallel to spring) |
| 7 | AO2 | Net displacement zero after wave passes |
| 8 | AO2 | Sound identified as longitudinal; λ=v/f=340/440=0.77 m |
| 9 | AO3 | Polarisation requires perpendicular oscillation; longitudinal has none |
AO split: AO1 = 4, AO2 = 4, AO3 = 1.
(a) A progressive wave is a wave that moves energy from one place to another.
(b) The wave is longitudinal because it goes along the spring.
(c) The painted bit moves back and forwards as the wave goes past.
(d) Sound is a longitudinal wave. Wavelength = 340/440=0.77 m. Sound cannot be polarised because it goes through air.
Examiner commentary: The next-band move is precision on the no net transfer of matter clause, and on the direction of particle oscillation as the discriminator between transverse and longitudinal. Mark 1 awarded; Mark 2 not awarded (no mention of matter or net displacement). Mark 3 awarded; Mark 4 not awarded — "goes along the spring" describes propagation, not oscillation, so the longitudinal justification is missing. In (c), Mark 5 awarded for back-and-forwards; Mark 6 not awarded explicitly because the candidate did not connect the direction to longitudinal nature; Mark 7 not awarded — no comment on net displacement. In (d), Mark 8 awarded for the correct wavelength; Mark 9 not awarded — "goes through air" is irrelevant; the candidate needs to invoke the perpendicular-oscillation requirement for polarisation.
(a) A progressive wave is a wave in which energy is transferred through a medium without the bulk transport of matter. Particles of the medium oscillate about fixed equilibrium positions.
(b) The wave is longitudinal: the student pushes the slinky along its length, so the coils oscillate parallel to the direction in which the wave travels.
(c) The painted region of the spring oscillates back and forth along the length of the slinky as the wave passes through it. The amplitude of its motion is the wave amplitude; the period of its motion is the wave period. Once the wave has passed, the painted region returns to its original position — there is no net displacement.
(d) Sound is a longitudinal wave. λ=v/f=340/440=0.77 m. Sound cannot be polarised because it is longitudinal.
Examiner commentary: To lift to top-band, the (d) justification needs to spell out why longitudinal precludes polarisation — namely that polarisation restricts perpendicular oscillations to a plane, and longitudinal waves have no perpendicular oscillation component. Marks 1-8 awarded; Mark 9 partial — the candidate has identified that longitudinality is the reason but has not explained the underlying mechanism. A confident, accurate answer with one synoptic gap.
(a) A progressive wave is a disturbance that propagates through a medium (or, for electromagnetic waves, through vacuum), transferring energy without net transfer of matter. Each particle of the medium oscillates about its mean position; there is local motion of matter but zero net displacement averaged over a cycle.
(b) The wave is longitudinal. The student's "sharply forwards and backwards along its length" motion causes the coils of the slinky to oscillate parallel to the direction of propagation, producing alternating compressions and rarefactions along the spring.
(c) The painted region oscillates back and forth along the length of the slinky — parallel to the direction in which the wave travels — confirming the longitudinal nature observed in (b). Its amplitude equals the wave amplitude; its angular frequency ω=2πf equals that of the source. Crucially, after the wave has fully passed, the painted region returns to its original equilibrium position with zero net displacement: the wave has transferred energy along the spring but the painted matter itself has not been displaced as a whole.
(d) Sound in air is a longitudinal wave. Using v=fλ:
λ=fv=440340=0.77 m.
Sound cannot be polarised because polarisation is, by definition, the restriction of perpendicular oscillation to a single plane; a longitudinal wave has no perpendicular oscillation component to restrict. The concept of polarisation only has content for transverse waves.
Examiner commentary: Full marks. The discriminators that lift this to top-band: (i) the explicit no net transfer of matter clause in (a), with the "averaged over a cycle" caveat; (ii) the precise causal chain in (b) — particle oscillation direction → longitudinal classification — rather than the loose "it goes along the spring"; (iii) the zero-net-displacement statement in (c), explicit rather than implied; (iv) in (d), a definitional justification for why longitudinal waves cannot be polarised (no perpendicular component to restrict), not just a restatement of the fact.
Pedagogical observations from teaching A-Level wave motion, with no fabricated examiner-report percentages.
Christiaan Huygens's 1678 Traité de la Lumière (published 1690) proposed the wave model of light at a time when Isaac Newton's competing corpuscular model dominated. Huygens's construction — each point on a wavefront acts as a secondary source of spherical wavelets — predicts straight-line propagation in homogeneous media (the laws of geometric optics) but also correctly handles refraction at boundaries, an early piece of evidence in favour of the wave picture. The decisive case for waves was made by Thomas Young's double-slit experiment in 1801 (which you will study later in this module) and then sealed by James Clerk Maxwell's equations in the 1860s, which derived electromagnetic waves from first principles and predicted their speed in vacuum to be the measured speed of light.
At undergraduate level the qualitative wave picture is replaced by the wave equation, a partial differential equation:
∂t2∂2ψ=v2∂x2∂2ψ
for a wave ψ(x,t) travelling at speed v. The transverse-vs-longitudinal distinction becomes a property of the vector field ψ — whether it points perpendicular or parallel to the direction of propagation. For electromagnetic waves, Maxwell's equations force the field vectors to be transverse to the direction of energy transfer (Poynting's vector S=E×B/μ0). This is not a contingent fact about electromagnetism; it is a consequence of the divergence equations ∇⋅E=0 and ∇⋅B=0 in vacuum.
Oxbridge interview prompts that probe wave motion conceptually:
Recommended reading: Vibrations and Waves by A. P. French (MIT introductory series) is a classic at undergraduate level. For a historical view, the early chapters of QED (Feynman) trace the wave-vs-particle debate from Huygens to Schrödinger.